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Listening to Performance - Research axes 2018-2021

  • Performance as research observatory
    How to circulate embodied knowledge and PAR / BRP between the fields of arts, humanities and sciences?
    This project deals with the ontological, methodological and epistemological issues raised by the Practice Based Research (PBR) and Practice As Research (PAR) methods through a multidisciplinary perspective focused on the relationships between the body, society and technologies.
  • Digital dramaturgies
    The stage as a field: the virtual and the physical worn by Rémi Ronfard and Julie Valero.
    This project, which brings together performance and computer specialists, focuses on digital dramaturgies at the crossroads of virtual and physical scenes.
  • Gestures & Frequencies
    Body data capture from the extraordinary to the infraordinary carried by Lionel Reveret and Gretchen Schiller
    Targeted laboratory sessions will allow us to diversify the perspectives from which the body is understood and represented, by performing motion capture tests with experts in their work environment (in a rehearsal studio), with simultaneous capture by an academic observer as an incarnated archivist.
  • Choreographic cartographies
    Mapping movement (bodies, spaces, territories) carried by Anne Laure Amilhat Szary and Gretchen Schiller
    "What is choreography if not an embodied practice that requires a continuous reorganization of space?" (Osterweis 2016). But how does this reconfigure the power of action?

Submitted on October 10, 2023

Updated on November 16, 2023